The Instant Preview
Perfect to quickly see the art in your room and chose the right size.
- No app required
- True-to-scale-preview
- iPhone compatible
Works best in well-lit spaces with a clear wall visible through your camera.
The Consultant's Touch
For when you want precision and a professional second opinion.
- 1. Snap your spaceSend us a photo of your room where your artwork will live.
- 2. Share the details.Tell us the size, edition and frame finish you have in mind.
- 3. See the visionReceive a professional visualisation perfectly scaled to your space.
READY TO HANG
Out of the box, all LUMAS artworks are ready and easy to hang.
SECURELY PACKAGED
LUMAS works are always packed to the highest standard to make sure it arrives as perfectly as it leaves us.
ARTIST SUPPORTED
Your purchase supports the free and independent work of your favorite artist.
60 DAY RETURNS
Easy 60 day returns to make sure you are satisfied with every purchase.
About Daniel StraussBACKGROUND INFORMATION
Daniel Strauss’s great passion and skill is the creation of artificial paradises in which to dream, relax and let the imagination run free. At the same time, the Berlin-based visual artist just as frequently translates real and actually existing places into digital models with pinpoint accuracy. In both cases, he sees technology as a creative tool for expressing ideas and meaning and transforming them into free, artistic objects. Raised in the Caribbean, Strauss started out as a film director before turning to digital technology and founding the digital studio BEYOND FUTURE. His immersive scenes are situated at the intersection of real and virtual space and translate imaginary objects into new forms of visuality.
In two of his generative video works, for instance, glimmering jellyfish float in the darkness of a bluish-green underwater landscape, illuminated by a distant light that lets the floating sea creatures’ translucent bodies shine brightly. The movement of the jellyfish, which have been simulated by points of light, is smooth and quiet, following a leisurely pace across the image. At the same time, spatial displacement produces a conscious blurring and change in size. All in all, the underwater world has a calming and meditative effect, although the rising and floating of the simulated jellyfish also possesses something uplifting and positively stimulating.
A closer and longer look slowly reveals an additional, exciting association with the maritime world: cosmological elements that have seemingly been introduced into the underwater world or transferred onto it. The rhythmically moving sea creatures’ points of light are suddenly transformed into star clusters wandering through space. And the previously nebulous beams of light in the underwater cave metamorphose into a diffuse cosmic radiance. The two worlds suddenly converge into an imaginary unity as the visual constellations of micro- and macrocosm come together in a single image.
Stephan Reisner